Synopsis
Ghost Quartet is a musical song cycle by Dave Malloy, directed by William Thomas Hodgson. It intertwines four narratives spanning seven centuries, exploring themes of love, death, and whiskey. The characters assume multiple roles across various settings: 14th-century Persia, 17th-century Germany and Japan, 19th-century England, 20th-century Sarajevo, and 21st-century NYC.
Each character’s role shifts across these settings, contributing to the intricate, layered storytelling that defines “Ghost Quartet.” The narrative’s non-linear progression and character multiplicity create a rich tapestry of interconnected tales.
Side 1
The musical begins with the storytellers introducing themselves (“I Don’t Know”).A Photographer enters a camera shop to buy a new camera, having broken her old one. The Camera Shop Owner shows her a fiddle that belonged to her great-grandmother, Rose, which was made from the breastbone of Rose’s sister, Pearl, and tells the story of the two sisters. Rose falls in love with an Astronomer and writes him poetry about the stars. The Astronomer, the editor of a prestigious astronomy journal, steals her work and publishes it under his own name before leaving her for Pearl. Furious, Rose asks a Bear to maul the astronomer and turn Pearl into a crow. In return, the Bear asks for one pot of honey, one piece of stardust, one secret baptism, and a photo of a ghost. It is revealed that Rose performed the baptism in the sea on a baby she abducted from a teenage mother (“The Camera Shop”).
Starchild, the baby that Rose abducted and baptized, reflects on being blessed by a stranger and the impact it had on her life (“Starchild”).
On a subway station, a Victim is pushed onto the tracks (“Subway”).
In 1873, the Usher family is at the side of their teenage daughter, Roxie. Roxie’s child, Starchild, has been stolen from her. As a result, Roxie has fallen deathly ill (“Usher, Part 1”).
A Soldier reflects on her yearning for death. Rose arrives and seduces the Soldier to take her honey. The Soldier promises not to haunt Rose when she becomes a ghost (“Soldier & Rose”).
The four storytellers sing about ghosts (“Any Kind of Dead Person”).
Side 2
The Astronomer introduces his character (“The Astronomer”).
In the House of Usher, Edgar Usher, Roxie’s father, calls a meeting to discuss Roxie’s imaginary friend, the revived memory of Roxie’s sister who died as a baby. Roxie’s parents urge her to forget about her imaginary friend, but Roxie refuses and screams at them (“Family Meeting”).
The four storytellers sing a song that personifies four types of whiskey (“Four Friends”).
Edgar Usher encourages his son, the Fool, to leave home. The Fool makes plans to do so and leaves, leading his own life in the world (“Fathers & Sons”).
In the House of Usher, Roxie cries out for her lost daughter, but is told by her family that she is gone. As a result, Roxie dies. Lady Usher vows to lock the corpse in a vault underneath the bedroom for a fortnight (“Usher, Part 2”).
In the Astronomer’s treehouse, Rose recites poetry about the stars and the Astronomer writes down her words. Later, the Astronomer and Pearl profess their love for one another (“The Telescope”).
Rose searches for Scheherazade, an ancient storyteller. Rose asks for a piece of stardust and Scheherazade gives it to her, telling Rose the story of her life (“Tango Dancer”).
Long ago, when Dunyazad, Scheherazade’s sister, was still alive, Scheherazade tells the story of David, the piano player and the ghost of Thelonious Monk living behind a hidden door. It is revealed that Dunyazad remembers nothing but her sister (“Monk”).
Side 3
In the House of Usher, a young Roxie asks her mother to read her Arabian Nights (“Lights Out”).
It is revealed that the Photographer lost her camera after taking a photo of the Victim in the subway instead of saving her, leading her to throw her camera on the ground in disgust (“The Photograph”).
Scheherazade finishes a story and proceeds to talk with her husband, Shah Zaman. Rose discovers the relationship between the Astronomer and Pearl and vows to take revenge. Later, Rose brings the Bear one pot of honey, one piece of stardust, one secret baptism, and a photo of a ghost. The Bear reveals that he never intended to kill the Astronomer and turn Pearl into a crow and tells Rose to take revenge herself (“Bad Men”).
In the House of Usher, a now mad Lady Usher hears Roxie awaken from the dead, and her husband tells her stories to soothe her but before he can finish, an undead Roxie breaks into the bedroom and kills her mother. On a subway station, the Victim is distracted and is pushed onto the tracks. The Photographer, now revealed to be Rose, has to make a decision whether she should save the Victim or take a photo of the ghost to give to the Bear. Rose chooses to take the photo and the Victim is killed (“Usher, Part 3”).
The four storytellers vow to forgive themselves for their mistakes (“Prayer”).
Side 4
Rose laments about her mistakes and understands that she is not a hero (“Hero”).
Rose and the Camera Shop Owner talk. The Camera Shop Owner reveals that she is the reincarnation of Pearl, the Soldier, and Lady Usher and reveals to Rose who she is the reincarnation of. Rose leaves the camera shop with the phone number of the Subway Driver written on her arm. Rose and the Subway Driver dance and have two daughters together (“Midnight”).
The four storytellers tell the story of how Rose took revenge on Pearl and how Pearl’s breastbone was turned into a fiddle (“The Wind & Rain”)
Tickets
odc.dance/ghost-quartet
Dave Malloy music, lyrics, and text
William Thomas Hodgson director
Rinde Eckert TENOR piano – organ – slide guitar – percussion
Monk, The Astronomer, Edgar, The Driver
Monica Rose Slater SOPRANO glockenspiel – accordion – harp – percussion
Scheherazade, Pearl White, Soldier, Lady Usher, The Victim/Pearl
Veronica Renner ALTO accordion – autoharp – percussion
Dunyazad, Rose Red, (Starchild), Roxie, The Photographer/Rose
Michael Perez BARITONE percussion
Shah Zaman, Bear, The Fool, The Pusher
Ami Nashimoto SOPRANO cello – ukulele – erhu – percussion
Licensing
Ghost Quartet is presented by special arrangement with United Talent Agency
Originally developed and arranged by Ghost Quartet (Brent Arnold, Brittain Ashford,
Gelsey Bell, Dave Malloy), Annie Tippe, and Christopher Bowser.
Institutional Support
Ghost Quartet performances presented as an integral offering of New Performance Traditions’ San Francisco season, are made possible through the generous support of the San Francisco Grants for the Arts, the William and Flora Hewlett Foundation, and the Bernard Osher Foundation.