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DTSTART;TZID=America/Los_Angeles:20261114T193000
DTEND;TZID=America/Los_Angeles:20261114T213000
DTSTAMP:20261112T002631Z
CREATED:20261013T180224Z
LAST-MODIFIED:20261112T002631Z
UID:10000222-1794684600-1794691800@dresherensemble.org
SUMMARY:Brainwash Movie Festival - Day Two
DESCRIPTION:The movies shown at the Brainwash Movie Festival are a great mix of original humor\, experimental art movies\, innovative animation\, and short live-action stories with high production values. The moviemakers are unique and skillful storytellers\, and the movies themselves pack a real punch into anywhere from 5 to 18 minutes \nSpheres – Martin Gerigk 5:52 \nHello Susan – Susan Weiss 1:48 \nCorpo Organico – Yasmin Mawaz-Khan 5:21 \nCan This Be Reel? – John Akre 4:01 \nGo Down Diller – Andrew Bateman 22:59 \nThe Evil DuckBot – Alex Hecht 5:41 \nGilded Gutter – Hellen Rose 4:53 \nR Funk – Black Shoe Polish Gerry Fialka & Tyler Bartram 6:25 \nMona – Gary Beeber 2:55 \nBoxed In – Monte Lately 5:19 (Courtesy Bernal Heights Cinema Crawl) \nAnd Then There Was Silence – Dante Rustav 5:20 \nLiving Geometry – Michael Edwards 5:17 \nImmigrant – Nilram Ranjbar 1:43 \nThe Haunted Saxophone – Ron Campbell\, Katarina Fink 6:42 \nRosemary’s Baby On Maury – Dave Reda 2:29 \nAngel Island – Mark McGothigan\, Dave Krzysik 3:52
URL:https://dresherensemble.org/event/brainwash-movie-festival-day-two/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/10/BrainWash_Film_Festival_2026.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261115T193000
DTEND;TZID=America/Los_Angeles:20261115T213000
DTSTAMP:20261108T034632Z
CREATED:20261108T034632Z
LAST-MODIFIED:20261108T034632Z
UID:10000224-1794771000-1794778200@dresherensemble.org
SUMMARY:Julia Rigby  Ben Goldberg + Myra Melford + Mat Muntz
DESCRIPTION:BEN GOLDBERG + MYRA MELFORD + MAT MUNTZ – Semi-orthogonal linear and non-linear pseudomellifluous quasisoliloquy\, autobiographical and otherwise. when you are aiming for the heart of the matter\, it doesn’t matter where you start. \nJULIA EDITH RIGBY is a composer\, improvisor and sound artist based in Santa Ana\, California. She presents a concert work that blends piano\, viola\, and field recordings to explore sea caves and infrasonic worlds\, and the ways that they can expand and entangle our thinking about ritual and breathing\, listening and resonance\, deep time and sense of place. Rigby will create musical soundscapes that explore ancient landscapes\, opening our ears and minds to experimental listening\, planetary histories and our place in time.
URL:https://dresherensemble.org/event/julia-rigby-ben-goldberg-myra-melford-mat-muntz/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Julia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261120T193000
DTEND;TZID=America/Los_Angeles:20261120T213000
DTSTAMP:20261016T173556Z
CREATED:20261012T193839Z
LAST-MODIFIED:20261016T173556Z
UID:10000219-1795203000-1795210200@dresherensemble.org
SUMMARY:Eva-Maria Zimmermann\, Graham Viegut\, Dayu Mang Ana - Kreasi Kontemporer
DESCRIPTION:Eva-Maria (piano)\, Graham (percussion)\, Dayu Mang (gamelan)\, and guests present musical creations from the international gamelan community. \nKREASI KONTEMPORER (contemporary creation) will feature an eclectic array of solo and chamber music\, from dense\, notated contemporary solos to free explorations\, all drawn from prominent composers\, performers\, and practitioners on the global gamelan scene. Piano\, percussion\, gamelan\, and vocals will be highlighted throughout the evening. Composers include Dewa Alit\, Wayan Yudane\, Théo Mérigeau\, and more. Special guests and collaborations to be announced. \n \nEva-Maria Zimmermann is a Swiss-American pianist based in San Francisco. She has performed in Poland\, France\, Switzerland\, Australia\, Japan\, Korea\, and the USA\, both as soloist and as member of the Grammy-nominated piano duet ZOFO. The one-piano four-hands team has commissioned over 30 composers\, including William Bolcom\, Gabriela Lena Frank\, Terry Riley\, Putu Septa\, Carl Vine\, Keyla Orozco\, Pawel Mykietin\, Akira Nishimura\, Franghiz Ali-Zadeh\, Wayan Yudane\, Kenji Oh\, and Lei Liang. Eva-Maria is long-time music faculty at the Nueva School and currently a member of the Balinese gamelan orchestra Gamelan Sekar Jaya. \nIda Ayu Nyoman Dyana Pani began studying the arts at the age of 5 under her father’s guidance. Music\, dancing\, and singing became part of her family’s daily routine\, eventually developing into an arts studio (Maha Bajra Sandhi). This rigorous education\, which focused on mastering several arts (multi-talented)\, led her to numerous performance opportunities at the regional\, national\, and international levels. Her special talents lie in playing the drums/musician\, mastering traditional vocal arts\, including Kidung\, Cecangkriman\, Kekawin\, and Palawakya. She is currently Artist-in-Residence at Gamelan Sekar Jaya. \nGraham Viegut is an American performer\, creative\, and educator whose art is driven by the insatiable curiosities of sound. As a percussionist/drummer\, he is active performing at festivals as varied as Montreux Jazz Festival Miami to Bang on a Can LOUD Weekend\, in venues ranging from 2\,000 seat concert halls to street parades\, and playing music stretching from orchestral standards to pop and rock clubs to free improvisation. Recent highlights include performing at III Points and Joshua Tree Music Festival\, reimagining orchestral music with Nu Deco Ensemble\, winning first place at the NYC Carnival Panorama with Pan Evolution Steel Orchestra\, and producing independent events ranging from contemporary chamber music nights to interdisciplinary gallery happenings.
URL:https://dresherensemble.org/event/eva-maria-zimmermann-graham-viegut-dayu-mang-ana-kreasi-kontemporer/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/10/Nov-20-Concert-Banner-Graham-Viegut.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261121T193000
DTEND;TZID=America/Los_Angeles:20261121T213000
DTSTAMP:20261009T222220Z
CREATED:20261009T221523Z
LAST-MODIFIED:20261009T222220Z
UID:10000218-1795289400-1795296600@dresherensemble.org
SUMMARY:BASSOON TRANSFORMATIONS: Paul Hanson--Improbable Territory
DESCRIPTION:Solo Electric Bassoon with Loops/Effects; Duo with pianist Unpil Baek. Originals by Paul plus music by Glen Campbell\, Wayne Shorter\, Sting\, Tigran Hamasyan & Ralph Towner. \nPaul Hanson has spent more than three decades expanding the vocabulary of the bassoon and challenging expectations of what the instrument can do. From his roots as an award-winning classical bassoonist and jazz saxophonist\, he has developed a unique voice incorporating improvisation\, jazz\, fusion\, funk\, world music\, looping\, and electronics. \nPaul has recorded and performed with artists including Béla Fleck and the Flecktones\, Jon Batiste\, Wayne Shorter\, Billy Cobham\, Charlie Hunter\, Michael Manring\, and Omar Sosa\, and has appeared at Carnegie Hall and major jazz festivals throughout the United States and Europe. \nIn 2008\, Paul created the role of electric improvising bassoonist for Cirque du Soleil’s *ZED* at Tokyo Disney Resort. In 2022\, he performed acoustic and electric bassoon in Jon Batiste’s *American Symphony* at Carnegie Hall\, later featured in the film *American Symphony*. \nPaul’s newest album\, *The Outer Banks*\, released in September 2026 on Abstract Logix\, features Charlie Hunter\, Jeff Sipe\, and Bill Stevens. He continues to explore acoustic and electric bassoon through original music\, improvisation\, electronics\, and music from across genres. \nUnpil Baek is an improvisational musician based in Berkeley\, California. Rooted in classical piano and shaped by jazz\, his music draws from a wide field of traditions\, including classical\, sacred\, experimental\, and global improvisational practices. He has performed with Charith Premawardhana\, Phillip Gelb\, Bay Area jazz string quartet Vitamin EM\, Quantaikotech with Chris Trinidad\, and others. \nA lover of all kinds of music\, Unpil approaches improvisation as a space where different languages can meet—between traditions\, between people\, and between inherited forms and new possibilities. His work seeks to honor the diversity of musical expression while shaping these encounters into a coherent musical whole. \nUnpil is also a research scientist in quantum computing\, machine learning\, and artificial intelligence. Across both music and technology\, he is drawn to questions of structure\, creativity\, and participation: how ideas can be shaped into forms that invite dialogue\, empower communities\, and open new possibilities for collective expression. \nPROGRAM \n1: Footprints (Wayne Shorter)\n2: KDB (Paul Hanson)\n3: Petulant Sunset (Paul Hanson)\n4: Sinkyone Gap (Paul Hanson)/Fortress Around My Heart (Sting)\n5: Weird Harmy (Paul Hanson)\n6 (with pianist Unpil Baek) Zephyr (Ralph Towner)\n7:(with pianist Unpil Baek) Seance (Paul Hanson) \n1: Wichita Lineman (Jimmy Webb)\n2: 98 Skidoo (Paul Hanson)\n3: Esperando La Lluvia (Rain)-(Paul Hanson)\n4: Song for Trent (Paul Hanson)\n5: Piazza (Paul Hanson)\n6: (with pianist Unpil Baek) A Eye (Tigran Hamasyan)\n7: (with pianist Unpil Baek) Portonevere (Andrea Pellegrini) \n 
URL:https://dresherensemble.org/event/bassoon-transformations-paul-hanson-improbable-territory/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/10/Paul-and-Unpil_Two-men-in-garden-bokeh.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261122T193000
DTEND;TZID=America/Los_Angeles:20261122T213000
DTSTAMP:20261112T002439Z
CREATED:20261109T205844Z
LAST-MODIFIED:20261112T002439Z
UID:10000225-1795375800-1795383000@dresherensemble.org
SUMMARY:BRISTLELenny Gonzales + Erik Ellestad
DESCRIPTION:BRISTLE\, the Northern California based sax-and-strings-fueled chamber jazz quartet of RANDY MCKEAN\, CORY WRIGHT\, MURRAY CAMPBELL\, and LISA MEZZACAPPA\, channels the individual virtuosity of its members into intricate group interactions that blur the line between composition and cooperative game strategies. Formed in 2009\, Bristle has performed at the Stone NYC and toured throughout California and the Pacific Northwest\, from Seattle to Bakersfield\, bringing their Art Ensemble meets Kronos Quartet sound to the SF Bay Area’s Garden of Memory and West Oakland Sound Series\, Sacramento’s In the Flow Festival and the California Gold Country’s Col. MaCaw’s Magical Cure-All. Their music\, called “fun and thought-provoking” (Memory Select)\, and full of “shrewd harmonic twists” (Downtown Music Gallery)\, is featured on their CDs Bulletproof (Edgetone\, 2012)\, Future(s) Now(s) (Queen Bee\, 2014) (named one of the Top California Jazz Releases of 2014 by KQED) and their Fluxx-like choose-your-own-adventure offering Archimera (Queen Bee\, 2025). For this appearance at the West Oakland Sound Series\, Bristle will feature the latest compositions from McKean and Wright\, expanding its palette of winds to include the EEB contralto clarinet\, bass flute\, and cor anglais. They are currently working on a new recording\, due for a 2027 release. \nLENNY GONZALEZ (guitar\, electronics) and ERIK ELLESTAD (sax\, electronics) draw on the deep vocabulary of improvised music – free jazz\, noise\, extended technique\, musique concrète\, etc… – they play with the intention of being present and making a space to sonically describe who they are and what they are feeling in the moment. They released their first album\, with a K\, with a Z\, in 2025. Available on Bandcamp \n  \n 
URL:https://dresherensemble.org/event/bristlelenny-gonzales-erik-ellestad/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Lenny.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261129T193000
DTEND;TZID=America/Los_Angeles:20261129T213000
DTSTAMP:20261109T213426Z
CREATED:20261109T213232Z
LAST-MODIFIED:20261109T213426Z
UID:10000226-1795980600-1795987800@dresherensemble.org
SUMMARY:HummingbirdWe Micromanage Infinity
DESCRIPTION:WE MICROMANAGE INFINITY: Absorbed in modular synth tangles\, software snarls\, and engrossed with toy noisemakers and birdcalls\, audience eye contact can be hard to come by when this supertrio of BLEVIN BLECTUM\, JAMES GOODE and THOMAS DIMUZIO take the stage. There’s no time for guitarface or elvis presley moves when you are fine tuning minutae of the infinite miasma. Humans are not mimetic\, as the paypal antichrist preaches to his brownshirts. No\, we are strapped into the multiverse\, inimitable puppets of fate that can only be steered by simulataneous tugs on our innumerable attachments. It’s down to us\, we storm-tossed action figures of flesh and juice\, to thrash\, dance\, kung fu grip\, and scream ourselves into that tangle\, even as we stare into the impassive face of three micromanaging furies. Like all beauty\, it’s grim. \nHUMMINGBIRD: EVELYN DAVIS (piano)\, JORDAN GLENN (drums)\, PHILLIP GREENLIEF (saxophone\, clarinet). mummingbirds exist in north coast indigenous legends as healers\, or a spirit that helps people in need. they often occupy the role of fire bringer. these elements seem ideal when considering what music can offer an audience; this trio endeavors to achieve these aims in performance. in order to heal\, the mind needs to shut the fuck up\, and in western medicine\, drugs are often used to achieve this. in general\, music is better for the body\, than drugs. listening is better when the voice is disengaged\, so come out\, turn off the voice and get some good medicine. \nPhillip Greenlief – photo: chelsea smarr – allentown\, pennsylvania
URL:https://dresherensemble.org/event/hummingbirdwe-micromanage-infinity/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Phillip.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261205T193000
DTEND;TZID=America/Los_Angeles:20261205T213000
DTSTAMP:20261114T014726Z
CREATED:20261109T215531Z
LAST-MODIFIED:20261114T014726Z
UID:10000227-1796499000-1796506200@dresherensemble.org
SUMMARY:Cahill-Myers Duo :: 88+ Piano Series
DESCRIPTION:Pianists Sarah Cahill and Regina Myers open our 88+ Contemporary Piano Series (more information below) with five works that span forty years of music for piano duo. At the heart of the evening is Theresa Wong’s Bodywork\, a new piece that brings the pianists together at one keyboard. Cahill and Myers previewed an excerpt at the Mendocino Music Festival this summer (Photo by Ellen Fullman). In Oakland\, they give the world premiere of the complete work. \nProgram \nMeredith Monk (b. 1942) — Folkdance (1996)\nJuan Sebastián Cardona-Ospina (b. 1992) — Canciones para el incendio (2020)\nEleanor Alberga (b. 1949) — Two-Piano Suite (1986)\nTheresa Wong (b. 1976) — Bodywork (2026)\, world premiere of the complete work\nDavid Borden (b. 1938) — Variations on The Fool on the Hill (1997–2002) \nBuy tickets now or explore the ticket options below. \nSarah Cahill\, piano\nSarah Cahill has commissioned and premiered more than seventy works for solo piano. Her project The Future Is Female brings together music by women composers from the Baroque era to the present\, including new works she commissioned. Among them is Theresa Wong’s She Dances Naked Under Palm Trees. Sarah Cahill’s full biography \nRegina Myers\, piano\nRegina Myers is a Bay Area pianist who founded New Keys in 2004 as a concert series for adventurous piano music. Now an ensemble\, New Keys invites composers to explore what the piano can do. Myers has performed with the San Francisco Contemporary Music Players and the William Winant Percussion Group. With Sarah Cahill\, she recorded Terry Riley’s four-hand piano music for Eighty Trips Around the Sun. Regina Myers’s full biography \nTheresa Wong\, composer\nTheresa Wong is a Bay Area composer\, cellist\, and vocalist whose music brings composition and improvisation together. In her own performances\, she explores how the sound of her voice can merge with the cello. A 2024 Guggenheim Fellow in Music Composition\, Wong wrote Bodywork for Cahill and Myers\, who jointly commissioned the piece. Theresa Wong’s biography \nPhoto by Ellen Fullman \n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now
URL:https://dresherensemble.org/event/cahillmyers-duo/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Bodywork1_Theresa-Wong_photobyEllenFullman-12-5-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270130T193000
DTEND;TZID=America/Los_Angeles:20270130T213000
DTSTAMP:20261114T014645Z
CREATED:20261111T172417Z
LAST-MODIFIED:20261114T014645Z
UID:10000228-1801337400-1801344600@dresherensemble.org
SUMMARY:Clara Yang :: 88+ Piano Series
DESCRIPTION:Clara Yang’s concert is the second in our new “88+” series\, which focuses on 20th- and 21st-century piano repertoire and world premieres\, and is supported by the Amphion Foundation and individual donors. \nEx Machina (piano and projected media) by Clara Yang was presented on May 11\, 2026 as part of Carnegie Hall’s United in Sound: America at 250 festival! \nCentered around the piano—a machine of sound and expression—it reflects on how technology shapes both artistic experience and human identity. The project invites audiences to rethink the boundaries between human and machine\, using music to explore the machine as both an artistic medium and a philosophical idea. \nClara Yang brings several generations of living composers into conversation\, pairing Philip Glass’s Étude No. 11 and works by Allen Anderson and Phil Young with music by younger composers Stephen Anderson\, Lee Weisert\, Reena Esmail\, Christopher Cerrone\, and Liliya Ugay. Yang also performs her own Nebula and Deep ConditioNN Redux\, which she co-wrote with Suzi Analogue. \nThroughout the evening\, the sound of the piano keeps changing\, from the repeating figures of Glass’s étude to the interplay of piano and electronics in Lee Weisert’s Clinamina. With Nebula\, Yang brings her own voice as a composer to the 88+ Contemporary Piano Series \nProgram \nVisual art for Ex Machina was created by acclaimed new media artist Xuan. \nReena Esmail — Crystal Preludes\, I. Oscillating Figures (2020)\nLee Weisert — Clinamina (2019)\nPhilip Glass — Étude No. 11 (2005)\nLiliya Ugay — Hammers Over the Moon (2024)\nPhil Young — RoboDream (revised 2024)\nClara Yang — Nebula (2024)\nAllen Anderson — Think that’s you (2019)\nStephen Anderson — Drones (2018)\nChristopher Cerrone — Hoyt-Schermerhorn (2010) \nBuy tickets now or explore the ticket options below. \nSteinway pianist Clara Yang has been praised for her “breathtaking technical prowess” and “probing emotional depth.” She has performed at leading venues including Carnegie Hall’s Weill Recital Hall\, the Forbidden City Concert Hall in Beijing\, and Madrid’s National Auditorium. She has appeared on major series such as Carolina Performing Arts and the Dame Myra Hess Memorial Concerts. \nShe has performed as a soloist with conductors including Vladimir Ashkenazy and Long Yu\, and with orchestras such as the European Union Youth Orchestra\, Pacific Symphony\, and the North Carolina Symphony. \nEqually at home in classical\, contemporary\, and interdisciplinary work\, Yang has collaborated with artists across genres and premiered Chen Yi’s Piano Concerto Four Spirits\, written for her. She has also performed in The Complete Philip Glass Piano Etudes and developed interdisciplinary projects\, including Ex Machina. \nHer recordings have received international acclaim\, including a Global Music Awards Gold Medal for her album Folding Time. She has been featured in major media outlets and served as a reviewer for YoungArts and a panelist for New Music USA. \nYang is Head of Keyboard Studies at the University of North Carolina at Chapel Hill. She holds degrees from Eastman\, Yale\, and USC Thornton. \nwww.clarayangpiano.com \n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now
URL:https://dresherensemble.org/event/clara-yang/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Clara-Yang.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270320T193000
DTEND;TZID=America/Los_Angeles:20270320T213000
DTSTAMP:20261114T014611Z
CREATED:20261111T175555Z
LAST-MODIFIED:20261114T014611Z
UID:10000229-1805571000-1805578200@dresherensemble.org
SUMMARY:Hadley McCarroll :: 88+ Piano Series
DESCRIPTION:In John Cage’s Sonatas and Interludes for Prepared Piano\, a single prepared piano can evoke an entire percussion ensemble. Hadley McCarroll brings a delicate touch to this landmark work\, drawing the ear to the softest tap of a muted string and the lingering resonance of a bell-like tone. Our intimate West Oakland studio is an ideal place to hear those details up close. \nWritten between 1946 and 1948\, this landmark of American experimental music begins with the pianist’s work inside the instrument. Following Cage’s instructions\, Hadley places screws\, bolts\, and pieces of rubber between selected strings. One key might ring like a small bell\, its neighbor answer with the soft thud of a drum. Across sixteen sonatas and four interludes\, those sounds mingle with the familiar voice of the piano\, inviting us to hear it anew. \nBuy tickets now or explore the ticket options below \nHadley McCarroll\, hailed for her “… lively and exhilarating …” pianism (SF Classical Voice) is a well-known solo & collaborative pianist. She has performed with Alonzo King’s LINES Ballet (Paris\, New York)\, Festival del Sole (Napa Valley)\, Concerts in the Barn (formerly Olympic Music Festival) – Quilcene\, WA\, and in a rare solo recital with KRONOS Quartet violist Hank Dutt (San Francisco). \nHadley has given wide-ranging solo performances\, including with the Santa Rosa Symphony (Carnival of the Animals\, Beethoven Lives Upstairs)\, Old First Concerts\, and Noontime Concerts. Hadley enjoys performing intriguing\, passionate repertoire\, frequently pairing masterworks of the past with new work of the present. Programs might include newly composed music\, or works by Carter\, Lachenmann and Ligeti alongside favorites by Beethoven\, Debussy or Janáček. She especially enjoys performing contemporary music\, and has premiered compositions by John Harbison and Robert Greenberg\, among many others. \nAs pianist with the contemporary music ensemble sfSound\, Hadley has performed works by Crumb\, Cage\, Berio\, Glass\, Grisey\, and Spahlinger\, among dozens of others. She has performed in unique venues and environments\, including ZBelow\, Project Arthaud\, The San Francisco Museum of Modern Art\, at Oakland’s historic Paramount Theater\, with the Oakland Symphony (San Francisco Silent Film Festival’s production of Charlie Chaplin’s City Lights) and at the San Francisco Botanical Gardens (Flower Piano – a multi-day festival of outdoor piano repertoire). For the past nearly 20 years she has performed as the pianist of the cello/piano duo martha & monica\, appearing around California Hadley received her Bachelor’s and Master’s degrees in piano performance from the University of Texas at Austin. Hadley is a Faculty Collaborative Pianist at the San Francisco Conservatory of Music. \nPhoto by Lenny Gonzales \n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now
URL:https://dresherensemble.org/event/hadley-mccarroll/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/23_06-11_Hadley-McCarroll-0390_edited_edited.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270321T193000
DTEND;TZID=America/Los_Angeles:20270321T213000
DTSTAMP:20261114T014546Z
CREATED:20261111T181744Z
LAST-MODIFIED:20261114T014546Z
UID:10000230-1805657400-1805664600@dresherensemble.org
SUMMARY:Hadley McCarroll :: 88+ Piano Series
DESCRIPTION:In John Cage’s Sonatas and Interludes for Prepared Piano\, a single prepared piano can evoke an entire percussion ensemble. Hadley McCarroll brings a delicate touch to this landmark work\, drawing the ear to the softest tap of a muted string and the lingering resonance of a bell-like tone. Our intimate West Oakland studio is an ideal place to hear those details up close. \nWritten between 1946 and 1948\, this landmark of American experimental music begins with the pianist’s work inside the instrument. Following Cage’s instructions\, Hadley places screws\, bolts\, and pieces of rubber between selected strings. One key might ring like a small bell\, its neighbor answer with the soft thud of a drum. Across sixteen sonatas and four interludes\, those sounds mingle with the familiar voice of the piano\, inviting us to hear it anew. \nBuy tickets now or explore the ticket options below. \nHadley McCarroll\, hailed for her “… lively and exhilarating …” pianism (SF Classical Voice) is a well-known solo & collaborative pianist. She has performed with Alonzo King’s LINES Ballet (Paris\, New York)\, Festival del Sole (Napa Valley)\, Concerts in the Barn (formerly Olympic Music Festival) – Quilcene\, WA\, and in a rare solo recital with KRONOS Quartet violist Hank Dutt (San Francisco). \nHadley has given wide-ranging solo performances\, including with the Santa Rosa Symphony (Carnival of the Animals\, Beethoven Lives Upstairs)\, Old First Concerts\, and Noontime Concerts. Hadley enjoys performing intriguing\, passionate repertoire\, frequently pairing masterworks of the past with new work of the present. Programs might include newly composed music\, or works by Carter\, Lachenmann and Ligeti alongside favorites by Beethoven\, Debussy or Janáček. She especially enjoys performing contemporary music\, and has premiered compositions by John Harbison and Robert Greenberg\, among many others. \nAs pianist with the contemporary music ensemble sfSound\, Hadley has performed works by Crumb\, Cage\, Berio\, Glass\, Grisey\, and Spahlinger\, among dozens of others. She has performed in unique venues and environments\, including ZBelow\, Project Arthaud\, The San Francisco Museum of Modern Art\, at Oakland’s historic Paramount Theater\, with the Oakland Symphony (San Francisco Silent Film Festival’s production of Charlie Chaplin’s City Lights) and at the San Francisco Botanical Gardens (Flower Piano – a multi-day festival of outdoor piano repertoire). For the past nearly 20 years she has performed as the pianist of the cello/piano duo martha & monica\, appearing around California Hadley received her Bachelor’s and Master’s degrees in piano performance from the University of Texas at Austin. Hadley is a Faculty Collaborative Pianist at the San Francisco Conservatory of Music. \nPhoto by Lenny Gonzales \n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now\n 
URL:https://dresherensemble.org/event/hadley-mccarroll-21/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/23_06-11_Hadley-McCarroll-0400.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270424T193000
DTEND;TZID=America/Los_Angeles:20270424T213000
DTSTAMP:20261114T014510Z
CREATED:20261111T194739Z
LAST-MODIFIED:20261114T014510Z
UID:10000231-1808595000-1808602200@dresherensemble.org
SUMMARY:Ray-Kallay Duo :: 88+ Piano Series
DESCRIPTION:The Ray-Kallay Duo (Vicki Ray and Aron Kallay) is dedicated to expanding the sonic possibilities of the multiple keyboard concert\, often using two acoustic grands\, two keyboards\, or combinations of both. In redefining the 21st century piano duo\, they also frequently include live electronics and alternate tuning systems in their programs. Their repertoire ranges from icons of the genre to newly composed works crafted specifically for their unusual and special resources. \nProgram \n\nDylan Mattingly (b. 1991) – Dreams and False Alarms (2009) (acoustic piano and keyboard)\nPaul Dresher (b. 1951) – Blue Diamonds (1995) (Vicki solo acoustic)\nJohn Luther Adams (b. 1953) – Dark Waves (2007) (2 acoustic pianos plus video)\nSolo or four hands  – tbaBuy tickets now or explore the ticket options below.The Ray-Kallay Duo have given hundreds of world premieres in Los Angeles and across the country. Mark Swed of the LA Times called them “Exquisite. Every sound sounded considered\, alive\, worthy of our wonder\,” when they premiered John Cage’s The 10\,000 Things in 2012.\n\n\n\n\n\n\n\n\n\n\n\n\nThe Duo is dedicated to expanding the sonic possibilities of the multiple keyboard concert\, often using two acoustic grands\, two keyboards\, or combinations of both. In redefining the 21st century piano duo\, they also frequently include live electronics and alternate tuning systems in their programs. Their repertoire ranges from icons of the genre to newly composed works crafted specifically for their unusual and special resources. \nIn addition to their thriving solo and chamber careers\, Vicki and Aron are also music educators in Southern California: Vicki is Head of Keyboard Studies at the Herb Alpert School of Music (CalArts)\, while Aron teaches music technology\, theory\, and piano and the University of Southern California (USC)\, Pomona College\, and Chapman University \nVicki Ray’s website \n\nAron Kallay website\n\n\n\n\n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now
URL:https://dresherensemble.org/event/ray-kallay/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/jpeg:https://dresherensemble.org/wp-content/uploads/2026/11/Ray-Kallay-Pictutre620x340.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270522T193000
DTEND;TZID=America/Los_Angeles:20270522T213000
DTSTAMP:20261114T014448Z
CREATED:20261112T001138Z
LAST-MODIFIED:20261114T014448Z
UID:10000232-1811014200-1811021400@dresherensemble.org
SUMMARY:Keisuke Nakagoshi :: 88+ Piano Series
DESCRIPTION:Keisuke Nakagoshi closes our  88+ Contemporary Piano Series 2026-27 season with more than seventy years of American piano music. In Mason Bates’s hands\, the piano conjures fragments of blues before we hear a field recording made by Alan Lomax himself. Morton Feldman\, best known for the extraordinary length of his later works\, offers a surprise in his early Nature Pieces. All five movements together last about 15 minutes. \nSamuel Adams draws on Schubert and explores how several rhythms can ripple across the keyboard at once. The evening ends with Samuel Barber’s headlong fugue\, its voices chasing one another to the final chord. \nProgram \nMason Bates (b. 977) — White Lies for Lomax (2007) culturaldistrict-\nMorton Feldman (1926 – 1987) — Nature Pieces (1951\, approx. 15 minutes)\nSamuel Adams (b. 1985) — Études (2023)\nSamuel Adams (b. 1985) — Impromptu No. 2: After Schubert (2015)\nSamuel Barber (1910 – 1981) — Piano Sonata in E-flat minor\, Op. 26 (1947–1949)’ \nBuy tickets now or explore the ticket options below. \n\n\nPianist Keisuke Nakagoshi studied with Emanuel Ax\, Gilbert Kalish\, Menahem Pressler\, and Paul Hersh and has performed on concert stages across the US\, including the Kennedy Center\, Carnegie Hall\, and the Hollywood Bowl. In 2009\, Mr. Nakagoshi and Swiss pianist Eva-Maria Zimmermann formed the piano duo ZOFO\, and their first CD was nominated for a Grammy award for Best Chamber Music/Small Ensemble. He made his solo debut with the San Francisco Symphony performing Ingvar Lidholm’s Poesis with Herbert Blomstedt conducting. Mr. Nakagoshi is currently Pianist-in-Residence at the San Francisco Conservatory of Music and serves as pianist on the production team for Opera Parallèle and West Edge Opera\, and he is also a member of San Francisco Contemporary Music Players. \nKeisuke Nakagoshi’s website\n\n\n\n88+ Contemporary Piano Series.\nFrom December through May\, seven pianists present five programs exploring what one or two pianos can do. The series focuses on contemporary American music\, with room for two-piano duets\, the percussive sounds of John Cage’s prepared piano\, and works in which the pianist’s playing shapes the images on screen. Our intimate studio\, home to Bösendorfer and Baldwin concert grands\, lets you experience it all up close. \nAll performances begin at 7:30 p.m. \nSaturday\, December 5\, 2026 — Cahill-Myers Duo\nSarah Cahill and Regina Myers open the series with the world premiere of Theresa Wong’s Bodywork (2026)\, alongside works by Meredith Monk\, Juan Sebastián Cardona-Ospina\, Eleanor Alberga\, and David Borden. \nSaturday\, January 30\, 2027 — Clara Yang\nClara Yang pairs her own music with works by Reena Esmail\, Lee Weisert\, Stephen Anderson\, Liliya Ugay\, Philip Glass\, Allen Anderson\, and Christopher Cerrone. \nSaturday\, March 20 & Sunday\, March 21\, 2027 — Hadley McCarroll\nHadley McCarroll performs John Cage’s Sonatas and Interludes for prepared piano (1946–1948). Choose either evening to hear the complete work. \nSaturday\, April 24\, 2027 — Vicki Ray & Aron Kallay\nVicki Ray and Aron Kallay share a duo program featuring works by Dylan Mattingly\, Paul Dresher\, and John Luther Adams. \nSaturday\, May 22\, 2027 — Keisuke Nakagoshi\nKeisuke Nakagoshi closes the series with a solo recital of works by Mason Bates\, Morton Feldman\, Samuel Adams\, and Samuel Barber. \nTicket Options:\nChoose an individual ticket or one of two discounted passes at checkout. \n88+ Pass (choose three concerts)\nSelect the three concerts you’d like to attend at checkout. If Hadley McCarroll’s performance of John Cage’s Sonatas and Interludes is one of your choices\, select either Saturday\, March 20\, or Sunday\, March 21. \nFive-concert pass\nEnjoy all five programs on December 5\, January 30\, March 20 or 21\, April 24\, and May 22. Select your preferred March date at checkout. \nIndividual tickets\nTickets are available for all six performances\, with separate tickets for Hadley McCarroll’s March 20 and March 21 concerts. \nBuy tickets now
URL:https://dresherensemble.org/event/keisuke-nakagoshi/
LOCATION:Dresher Ensemble Studio\, 2201 Poplar Street\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/png:https://dresherensemble.org/wp-content/uploads/2026/11/Keiske.png
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END:VCALENDAR